françois besch

diptyque: 'lenses are useless with eyes closed' (2019) | phoneograph and acrylics on canvas (from the group show 'arc(b)rëll' in diekirch by the art group 'arc' - exhibition open until april 28)
diptyque: 'lenses are useless with eyes closed' (2019) | phoneograph and acrylics on canvas (from the group show 'arc(b)rëll' in diekirch by the art group 'arc' - exhibition open until april 28)

actual show: 'aal esch' by cueva

some details of the installation '1000 machines (a kind of selfie)' at the group show 'aal esch' by the art group 'cueva' in esch-sur-alzette (luxembourg) from april 26 until may 12 2019. mixed media.
some details of the installation '1000 machines (a kind of selfie)' at the group show 'aal esch' by the art group 'cueva' in esch-sur-alzette (luxembourg) from april 26 until may 12 2019. mixed media.

some more examples of my work

photography | phoneography | object art

'impossible flood', 2018 (edition of 9,  digital pigment print, alu-dibond, acrylic glass)
'impossible flood', 2018 (edition of 9, digital pigment print, alu-dibond, acrylic glass)
'eine gute tante', 2016 (wall object, wood, pigments, computer parts, tin, enamel sign)
'eine gute tante', 2016 (wall object, wood, pigments, computer parts, tin, enamel sign)
'cybercities, the deluge', 2013 (digital pigment print on alu-dibond, 120 x 80 cm, edition of 9) courtesy by the 'centre national de l'audiovisuel luxembourg' (cna)
'cybercities, the deluge', 2013 (digital pigment print on alu-dibond, 120 x 80 cm, edition of 9) courtesy by the 'centre national de l'audiovisuel luxembourg' (cna)
triptych 'rural vs. urban', 2014 (edition of 9, each work 80 x 80 cm, digital pigment print, alu-dibond, acrylic glass)
triptych 'rural vs. urban', 2014 (edition of 9, each work 80 x 80 cm, digital pigment print, alu-dibond, acrylic glass)